Catalan Spirit Idea Language
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. Curated. (Curator)
2005 Tilt Collectors Show Tilt Contemporary Art. Melbourne. Australia. (Curator) Manfred Krautschneider
2004 Affordable Art Fair Exhibition Buildings. Melbourne. Australia. (Curator)Manfred Krautschneider
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Catalan Spirit Idea Language
A salute to the Catalan and all my friends in Barcelona, for their generosity, kindness and friendship, when artist in residence in El Bruc at the International Art Center in Spain.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2006
Signed by artist
Certificate of Authenticity
Artist Statement
Through my own observations and mark making, I wish to capture the essence of the past, by investigating and recording the traces left behind on the surface and the hidden space. I have spent many years, drawing, painting and photographing cities worldwide, alleyways, buildings, drain-holes, garbage dumps, streets, architecture and doorways. By taking the forgotten marks and scratches from surface's rarely observed, I want to transform them, raising them to a higher plateau of awareness by making them more relevant in my work. I use these marks and scratches as history’s D.N.A.
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. Curated. (Curator)
2005 Tilt Collectors Show Tilt Contemporary Art. Melbourne. Australia. (Curator) Manfred Krautschneider
2004 Affordable Art Fair Exhibition Buildings. Melbourne. Australia. (Curator)Manfred Krautschneider
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Catalan Spirit Idea Language
A salute to the Catalan and all my friends in Barcelona, for their generosity, kindness and friendship, when artist in residence in El Bruc at the International Art Center in Spain.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2006
Signed by artist
Certificate of Authenticity
Artist Statement
Through my own observations and mark making, I wish to capture the essence of the past, by investigating and recording the traces left behind on the surface and the hidden space. I have spent many years, drawing, painting and photographing cities worldwide, alleyways, buildings, drain-holes, garbage dumps, streets, architecture and doorways. By taking the forgotten marks and scratches from surface's rarely observed, I want to transform them, raising them to a higher plateau of awareness by making them more relevant in my work. I use these marks and scratches as history’s D.N.A.
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. Curated. (Curator)
2005 Tilt Collectors Show Tilt Contemporary Art. Melbourne. Australia. (Curator) Manfred Krautschneider
2004 Affordable Art Fair Exhibition Buildings. Melbourne. Australia. (Curator)Manfred Krautschneider
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Catalan Spirit Idea Language
A salute to the Catalan and all my friends in Barcelona, for their generosity, kindness and friendship, when artist in residence in El Bruc at the International Art Center in Spain.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2006
Signed by artist
Certificate of Authenticity
Artist Statement
Through my own observations and mark making, I wish to capture the essence of the past, by investigating and recording the traces left behind on the surface and the hidden space. I have spent many years, drawing, painting and photographing cities worldwide, alleyways, buildings, drain-holes, garbage dumps, streets, architecture and doorways. By taking the forgotten marks and scratches from surface's rarely observed, I want to transform them, raising them to a higher plateau of awareness by making them more relevant in my work. I use these marks and scratches as history’s D.N.A.
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
