Hear It
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. (Curator) Ulrich Goette Himmelblau
2005 Beale on Auburn Gallery. Hawthorn. Victoria. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Hear It.
Calm silent spaces with colour. A series of carefully painted swatches sitting together in harmony. Each block sits silent and almost whispers,...together they tell a story of joy and hope.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2004
Signed by artist
Certificate of Authenticity
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. (Curator) Ulrich Goette Himmelblau
2005 Beale on Auburn Gallery. Hawthorn. Victoria. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Hear It.
Calm silent spaces with colour. A series of carefully painted swatches sitting together in harmony. Each block sits silent and almost whispers,...together they tell a story of joy and hope.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2004
Signed by artist
Certificate of Authenticity
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
I am currently offering up some of my older more important artworks. Some have never been shown, while others have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. (Curator) Ulrich Goette Himmelblau
2005 Beale on Auburn Gallery. Hawthorn. Victoria. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong
ABOUT Hear It.
Calm silent spaces with colour. A series of carefully painted swatches sitting together in harmony. Each block sits silent and almost whispers,...together they tell a story of joy and hope.
MED. Oil paint on sealed board. ( Requires Framing)
SIZE 61cm (W) x 92cm (H) x 1cm (D)
YEAR 2004
Signed by artist
Certificate of Authenticity
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
